Swamped in the Flood of Literature & Should We Review Our Friends’ Books?

Should we review our friends’ books?  Yes, at our blogs!

In journalism, strictly speaking, it is a conflict of interest to review a friend’s book.

But the ethics of literary journalism are always in flux–you never know who knows who–and literary mores were entirely more flexible in George Gissing’s 1891 novel, New Grub Street.  In this fascinating book about the writing world in nineteenth-century London, the characters dash off anonymous book reviews, often having barely skimmed the book.  One particularly vicious editor does hatchet jobs on his enemies’ books: the level of paranoia being what it is, the authors sometimes blames the wrong man for the bad review.

And so we applaud the ambitious, not altogether likable Jasper Millvain when he writes anonymous rave reviews for two different journals of his friend Biffen’s naturalistic novel, Mr. Bailey, Grocer.  The starving Biffen spent two years writing this nearly perfect, if tedious, book, and risked his life to save the manuscript  from a fire in his lodging house.

Jasper doubts if the reviews will do much good, even though he uses the word “masterpiece.”  He tells his sister Dora, who admires the book,  “Most people will fling the book down with yawns before they’re half through the first volume.”  And he knows some would think it unethical for him to review the same book twice.

And then he delivers a soliloquy about the trade of literature.

Speaking seriously, we know that a really good book will more likely than not receive fair treatment from two or three reviewers; yes, but also more likely than not it will be swamped in the flood of literature that pours forth week after week, and won’t have attention fixed long enough upon it to establish its repute. The struggle for existence among books is nowadays as severe as among men. If a writer has friends connected with the press, it is the plain duty of those friends to do their utmost to help him. What matter if they exaggerate, or even lie? The simple, sober truth has no chance whatever of being listened to, and it’s only by volume of shouting that the ear of the public is held. What use is it to Biffen if his work struggles to slow recognition ten years hence? Besides, as I say, the growing flood of literature swamps everything but works of primary genius.

Today many good  books are still “swamped in the flood of literature.”  From my amateur reader’s point of view, the same few books are reviewed in every paper, and yet tens of thousands of books (too many books?)  are published.  The list of books to be reviewed is magically pre-determined by a conspiracy of marketers, editors, and (possibly) witches and warlocks(!).  Yes, I want to read about established writers, but am dubious about some of the “hot” debuts.  Caveat Emptor is my motto.  Some of the “cooler” debuts might be my reading.

Naturally, a lot of the oddball stuff goes missing from book review journals. This year two excellent novels which deserve more press are Karen Brown’s eerie novel, The Clairvoyants (which I wrote about here), and Erica Carter’s harrowing novel about three down-and-out women in Arkansas, Lucky You (which I wrote about here).  Some books are passed around by word of mouth.  Still, reviews help.

And what about the small press stuff? Where is that reviewed?   A small press editor told me many, many years ago that, from the monetary point of view, it was better to publish a bad book by a charming writer with a lot of friends than a good book by a solitary writer with few friends.  (The bad writer’s book sold; the good writer’s did not.)  But he wanted to publish good books, so instead got a lot of grants.  And did not make money.

Hm, I never thought of it that way!

But what if it’s a great book?  Where are all the great books?  I loved Lidia Yuknavitch The Book of Joan, a stunning novel that is, thank God, widely reviewed.

There must be more like Lidida Yuknavitch writing.

IT’S SUMMER!

The rain stopped late Saturday afternoon, and we’re wallowing in green.  This is what Memorial Day weekend looked like.

So green, isn’t it?

Yellow flowers always cheer me up!  And does anyone know what these are called?

Happy biking, happy swimming, happy sitting around in shorts!

Memorial Day Weekend Reading, Elena Ferrante’s Those Who Leave and Those Who Stay, & Literary Links

The perfect beach read.

The perfect beach read.

We’re ignoring the flags but celebrating the first weekend of summer with beverages, barbecues, and books.

Beverage:  Arnold Palmers (half iced tea, half lemonade).  We rattle the iced cubes in Great-Aunt Helen’s big pink champagne glasses as we sip the tea. They are the last glass glasses in the house. We have broken all the rest–not like F. Scott Fitzgerald and Zelda, who simply did it for kicks–but because of dishwashing accidents. At this point we prefer plastic.

Books:  I’m finishing up the third volume of Elena Ferrante’s Neapolitan Quartet, Those Who Leave and Those Who Stay, set in the late ’60s and the ’70s.  Yes, it’s literature (kind of), but it’s also a beach read, perfect for a wide spectrum of readers, from fans of Middlemarch  and The Group to aficionados of The Diary of a Mad Housewife and Fear of Flying.  It’s a grittily realistic pageturner, but, honestly, I find it somewhat trying. Both Lena and Lila, the two heroines, are getting on my nerves.

I am ambivalent about Ferrante’s work.  Enjoyable as it is, it is very hard for me to catch the worldwide excitement about these ultra-traditional novels about women’s friendship.  I can see why they are popular:  these straight-ahead reads require very little work.  Ann Goldstein’s translation is  smooth and readable, though I’m finding Those Who Leave and Those Who Stay  less riveting than the first two volumes, My Brilliant Friend (which I wrote about here) and The Story of a New Name (which I wrote about here). Whether Ferrante or the translator lost pep, who can say?

The narrator Lena has published her first novel and goes on a book tour, feeling insecure about the book but also excited by its popularity.  Visiting her parents in Naples, she runs into old girlfriends who fervently praise it for the “dirty” parts, i.e., beach sex scenes which capture women’s ambivalence toward sex. She is engaged to a likable professor, who insists on a civil ceremony, and that is a point of contention with her mother, who wants Lena to have a big wedding like Lila’s. And Lena is still fascinated by her childhood friend Lila, a working-class prima donna who has left her husband, lives with their childhood friend, Endo, with whom she refuses to have sex, and now works at a  sausage factory, leaving her child with a neighbor while she works.  Lila is sexually harassed at work, but is not a victim:  she takes care of herself and knows how to say no, thank God!   But after she confides in radicals about how women are treated, they show up to protest at the factory and she gets in trouble.  Then Lena writes a newspaper article based on Lila’s carefully-written study of the factory.  No wonder her old teacher, who saw Lila’s version first,  snubs Lena and pays more attention to Lila’s writing!  Of course that’s also part of what happens to people who succeed and come back to their hometown: people begrudge the prodigal’s success!  But Lena does exploit Lila’s experience for her writing.

days of abandonment ferrante 51MHqt44whL._SX320_BO1,204,203,200_It’s a very fast read.  But honestly?  I  tire of Lila’s hyperbolic tantrums (are they Italian?). And Lena’s typical experiences with her insomniac baby and unsympathetic husband, who goes on writing and ignores the crying baby,  seem barely sketched in.  Of course that mightbe a translation problem.

For me, this one is the weakest of the novels (so far)!  I do want to love these best-sellers, and yet…

On the other hand, I do recommend Ferrante’s The Days of Abandonment, a truly Kafkaseque narrative  peppered with the feminist outrageousness of Doris Lessing and Marilyn French. The narrator, Olga, a housewife, goes mad when her husband deserts her for another woman after 15 years, leaving her with two children and a dog.  She is mystified by his departure, and the hours, days, and weeks that follow are described with agony, spite, and humor.  Eventually Olga gets her own back!

If you’re not interested in reading Ferrante, here are some literary links that will give you other options for Memorial Day!

master and margarita 97801431082761  Boris Fishman writes in The New York Times about the fiftieth anniversary of the publication of Mikhail Bulgakov’s The Master and Margarita.  This excellent essay begins,

Were it a kinder world, Mikhail Bulgakov’s incandescent novel “The Master and Margarita” would be commemorating its 75th rather than 50th anniversary, for the author completed it in 1940, just as his own brief life was ending. But in the Soviet Union of the time — then concluding one of the most grotesquely violent decades in history — the fate of authors like Bulgakov was so precarious that he was fortunate to die of natural causes. Having finished the book, he reportedly said to his wife from his deathbed: “Now it deserves to be put in the commode, under your linens.” She did not even try to get it published. A censored version finally appeared in 1966-67.

shrill 41wjF5kS+BL._SX324_BO1,204,203,200_2 At Lenny, in the article “Lit Thursday: Books That Won’t Disappoint,” Lena Dunham says she is reading Lindy West’s Shrill.

Lindy has made a name for herself as one of the fiercest and funniest feminists working today. The Internet has been her medium and she’s used it beautifully, responding in real time to trifling comedians and even less impressive trolls. But a writer as skilled as Lindy deserves long form consideration and Shrill, her hybrid memoir-cultural critique-manifesto, does not disappoint. It fulfills the promise of her many well considered (and fucking hilarious) internet offerings. Lindy deftly moves between painful personal recollections, assessments of the sorry state of body positivity, and a clear eyed view of what the feminist movement needs to do so that sisterhood doesn’t kill off its sisters. I am so happy I’ve been reading her for half a decade. I’ll be doing it for another half a century.

3 At The New York Review of Books, Hermione Lee reviews All the Poems by Stevie Smith, edited and with an introduction by Will May  (New Directions, 806 pp., $39.95)

stevie smith all the poems 9780811223805